"The flowering song of our new time" - Brooke Medicine Eagle

"Sacred Song Therapy" - New Age Journal

"Renews both your mind and body" - Tower Records

"Appealing, romantic, pan-global music" - PJ Birosic

 

Music CDs

(All sound clips are in MP3 format. They are approximately one minute in length
so please be patient with loading.)

Garden of The Magdalene —The musical flavors follow the Grail mysteries throughout medieval Britain, France, Spain, Jerusalem and Egypt with gypsy violira, Celtic harp, bells, guitar, Egyptian flute and vocals sung in the ancient languages. One also hears the waves and subtle chanting recorded within Merlin’s Cave, Cornwall during a ceremony in October 2006.

“Lovely medieval flavor!” — Margaret Starbird, author of Woman with the Alabaster Jar and other books on Mary Magdalene.

“Enchanted by your music.” — Henry Lincoln, filmmaker and author of Key to the Sacred Pattern, co-author of Holy Blood—Holy Grail.

Muses:
Ani Williams: Harp, vocals and bells
Alan Ames: Violira
Fitzhugh Jenkins: Guitar
John Dumas: Egyptian bamboo flute
Tina Reichow: Dunbek, tambourine and cymbals

Sound Clip for Garden of The Magdalene—Garden of Blue Ros

Temple of the Magi- Music by Ani Williams
Prayer invocations by Dr. Gary Batten

Ancient Hebrew chants with lush vocal harmonies, harp, flute, gong and bells, draw the listener into the ancient Temple of Inner Light. With the chanting of the Sacred Names in the Language of Light, we invoke a harmonic field creating Heaven on Earth…the Heavenly Light made manifest. We hear the Bath Kol, Daughters of Voice as they enter the Temple of the Magi singing the Heavenly Song. We invite you to chant along, adding your voice to the collective dream for a New Earth.

Tracks include: El Shaddai, Eloha Umma, Yod He Vod He, Ha Shem, Ain Soph, Shalomith Shalom

Sound clip from Temple of the Magi—Yod He Vod He

Magdalene's Gift—Songs to the Beloved (June 2004) - Sensual music honoring the Beloved featuring Middle Eastern tonalities with harp, voice, violin, guitar, tabla and cymbals.

”It’s BEAUTIFUL! This CD’s exotic, spicy Middle Eastern tone and timbre, and Ani's ethereal voice come highly recommended!”
—Posted on www.magdalene.org/music August 2005

Sound clip from Magdalene's Gift—Burning Wish (Aramaic Lord's Prayer). music by Ani Williams

Homage to Hathor (Spring 2003) - Egyptian temple music, featuring musical scales based on the geometry of Egypt’s sacred architecture. With harp, enchanting vocals, violin, Egyptian scale flutes and gong, one is transported to the elevation of humanity reached by Egypt’s legacy of spiritual alchemy. Tracks include: House of Horus, Mari, Sa Ra, Abyddos, The Osirian, Hu Ra Eli. This deeply sacred music is dedicated to the Hathors, celestial beings who move with pure equanimity and unity of purpose, infusing the Earth with blessings of beauty and healing sound.

"I listen to this CD constantly! It feels like I have entered the temple of healing." —S.S.

“You touch the majesty and joy of creation.” —Ananda Music, Poland

“This music takes one on a temple journey, continually moving deeper and deeper to the sanctuary of the soul.” —RMB, Shamanic facilitator and life coach.

Sound clip from Homage to Hathor — Abyddos, music by  Ani Williams

Shemah—The Calling (1999) - Inspired by both the stone circles and mystical moors of her cross cultural roots and the ancient Egyptian temples of the Nile. Ani’s harpestry takes us through dreamy Arabian gardens….with harp, vocals, viol de gamba, ney, oud and bouzouki, the light streams through these liquid compositions. Tracks include: Love and Beauty, Shenasha, Leonid Light, The Calling, Shemah,

"Her voice caresses the soul with dream-like beauty—layered harmonies in Spanish, Hebrew, and Navajo. Her harpestry takes the enthralled listener through Arabic gardens, Celtic moors and Sedona canyons... the beauty of Shemah should call powerfully to savvy retailers: this release should sail off the shelves to the many places where its healing sounds can work their magic." —NAPRA Review Feb 2000

Sound clip from Shemah--The Calling —Shemah, music by Ani Williams

Harp-vocalist Williams and multi-instrumentalist Galindo are a talented twosome reaching their prime on this ode to the lunar cycle. Ani's etherial voice perfectly blends with her steel harp strings as hoop drum, bamboo flute, ocarina, violin, and a continent's worth of acoustic percussion ask us to honor the sacred Earth... a reflective sacred space where the listener can redream the world into beauty." —PJ Birosik, Musik International

Sound clip from Luna Trece —Luna Trece, music by Ani Williams

Sacred Springs (1995) (and re-released as a CD 2002) - Keyboards, harp and vocals recorded on location at the ancient White Springs, Avalon, Glastonbury England. Deep and provocative, this music pays homage to the red and white springs of Arthurian and Druid lore. Produced and distributed in Europe, UK and Mexico.

Sound clip from Sacred Springs of Avalon —Sacred Springs, music and lyrics by Andy Portman, vocals and lyrics adapted by Ani Williams

Song For My Ancestors - With Lisa Thiel (1995) (and re-released as a CD 2002) - Cross culturally inspired songs on harp, guitar, violin, flutes and vocal harmonies.

"Put on your wings and go, if you can fly this high! Ani Williams plays my heartstrings like she plays the Celtic harp, weaving her angelic and shamanic spells." —NAPRA Review 1996

Sound clip from Song For My Ancestors —Diving Deep, music by Ani Williams

"Sacred song therapy!" —New Age Retailer.

"Exciting... renews both your mind and body" —Tower Records

Sound clip from Sister of the Dream —She, music by Ani Williams

"Appealing, romantic, passionate pan-global music. A winner!" —PJ Birosik.

"Spellbinding... haunting and beautiful. Ancient Aztec lullabies and Andean songs... a work of evocative and mystical beauty. I can't recommend it enough." —Musical Best Bets - New Age Retailer, Feb 1993

Sound clip from Children of the Sun —Secret Canyon, music by Ani Williams

Wind Spirit (1988) (and re-released as a CD 2002) - "Wind Spirit is a celebration of the land and sky of the Southwest desert lands. To listen to Wind Spirit is to relax into your own happiness. Harp blends with nature sounds, flute, voice, clarinet, hand drums. The effect is slightly poignant and restful. Recommended for contemplation, massage, one not to be missed." —Musical Best Bets - New Age Retailer

Sound clip from Wind Spirit —Wind on the Desert, music by Trisha Herold, harp and adaptation by Ani Williams

Song Of Isis (1987) (and re-released as a CD 2001) - Recorded in the pyramids and temples of Egypt during the Harmonic Convergence, August 1987.

"Beautifully woven in delicate strands of sound. Timeless, transformative, recommended!" —Ladyslipper Records' 1989 Top 24 Pick
“Williams’ harp on Song of Isis is the closest I’ve come across to the Sumerian cuneiform musical notation!”
—Author and historian, Zecharia Sitchin

Sound clip from Song of Isis —Queen's Chamber I, music by Ani Williams with a totally spontaneous outpouring of 19 pilgrims celebrating a great turning point in the cycles of time.

Medicine Song II CD and Chant book (2005 revised and expanded edition) - The enclosed CD features harp, vocals, Egyptian flutes, violin and dunbec, taking the listener on the path of  Sophia-Maria as she chants in the languages of light, calling her Beloved home.

"Deeply moving. Ani Williams' Medicine Song chants honor and celebrate the Feminine in diverse Wisdom traditions...awakens us to the "Sacred Union" within."   Margaret Starbird author of "The Woman with the Alabaster Jar" and "The Goddess in the Gospels."

“Ani has created a wonderful kind of magic in bringing forth these powerful chants from the ancient Sophia lineage.”    Brooke Medicine Eagle, author of The Last Ghost Dance  & Buffalo Woman Comes Singing.

Sound clip from Medicine Song, Volume II -- Bnai Elohim, music by Ani Williams, lyrics Hebrew mantra adaptation.

Medicine Song I (2000) CD and Chant book - Tibetan chants with harp, sitar, tamboura, bells and vocal harmonies. Used in yoga centers and by individuals as an interactive sound medicine tool.

"Divinely beautiful and healing! We use it for our chakra classes." —Seven Centers Yoga Arts

"Ani is an angel among us.  Her heavenly voice in the world shows us that beauty and good still exists."  Ananda Music Poland

Sound clip from Medicine Song, Volume I -- Green Tara, music by Ani Williams, lyrics Tibetan mantra

Song Of The Jaguar (1989) CD and Lyric Book— A musical journey through Mayan, Celtic, and Sumerian cultures with harp, vocals and Mayan flutes.

"What lovely music!" — Shirley MacLaine

"I love all of Ani's exquisite musical work, and this new one especially. Its obvious love and praises for Mother Earth and her children are the flowering song of our new time." — Brooke Medicine Eagle

"Ani's lyrical voice and serene harp are wonderfully offset by neo-shamanic elements, resulting in a recording of great sensitivity and power." —Backroads Distributors

Sound clip from Song of the Jaguar — Jaguar, music by Ani Williams

Songaia Sound Therapy--Volume I

"Songaia is the closest sound to what I experience in meditation." —J.B. Association for Research and Enlightenment.
 

Sound clip from Songaia--Volume I    -- D - Gemini tone, by Ani Williams

Songaia Sound Therapy--Volume III

"Songaia Sound is an important part in Tyler's (autistic son) healing process, and he is now playing his missing tones!" —Cynthia, Los Angeles mother.

 

Previous Recordings by Ani Williams

 

Sky Dance (1987) - "Sky Dance is a paean to the earth, sky and oceans. A serene, reflective recording, radiant in its love of all things natural." —Pulse Magazine

Violets In Spring (1985) - "Ani's harp and angelic voice give this music a timeless universal quality... a seamless flow of ever-changing beauty." —Heartsong Review

Summer Rose (1983) - Soaring harp, flute and voice.

"Summer Rose is one of the most outstanding albums that we have listened to." —Magical Blend Magazine

"The best program of music for meditation I've heard in the last five years." —New Age Journal 1985

"The sacred rings through like a bell evoking ancient memories and the higher self... touches upon the crystalline center of the listener... beautiful." —Ladyslipper Records

"The best program of music for meditation I've heard in the last five years." —New Age Journal 1985